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Portrait of the Artist - Classics at Picton, 17 September 2017

30/9/2017

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Way back at the end of 2014 I did a series of concerts in Melbourne and Sydney with the Sappho Ensemble, both inside a Sydney immigration detention centre and to raise funds for the Asylum Seekers Resource Centre. Fortuitously, through one of those concerts, I made a truly beautiful new friend and embarked on yet another unexpected adventure.

Helen Paulucci, a Southern Tablelands artist who studied in Florence and the Netherlands, approached me to ask whether she could paint my portrait for the Archibald Prize! Thus began an interesting journey, travelling down to her studio regularly for sittings and learning a little something more about Art and how it is created in the process. Spending so much time together over that precious period of 9 months or so, we discovered many things we had in common as female artists who had come to our callings later in life and impeded by other considerations. We both get what it is like to reach that point where you can no longer “refuse the muse”….. and we forged a great friendship.

Fast forward three years and one baby later, and Helen and I have finally achieved our aim of a collaborative exhibition/concert – something I hope we get an opportunity to repeat soon as it was such a special afternoon!
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“Portrait of the Artist” was a concert wherein I described and brought to life great artists whilst also myself being the subject of Art. So meta. With the additional artistry of the inimitable Alan Hicks at the piano (so much Art!), I repeated our “Dynasty of Song” program in the midst of a beautiful exhibition of Helen’s portraits, landscapes and still-lifes, for Classics at Picton (a respected concert series local to Helen’s studio).

The feedback was pretty overwhelming, as was the introduction! “Karen has such personal and musical presence and beauty: when I first heard and saw her perform I was determined to paint her portrait.” It reminded me once again (pfft, you’d think I’d have absorbed this by now) that how I feel about my work, and how I show up in the world as a vessel for music are two separate things about which I should be both humble and grateful.

Please, I would encourage you to go to Helen’s website and check out her stunning work, ever evolving as she travels and extends herself (she is currently doing a residency in Scotland). A beautiful person, dedicated to bringing more beauty to the world. http://helenpaulucci.com/portfolio/exhibitions/
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    ____ In 2005 I found myself in London, broke, constantly sick, and working in a job I hated. I had dropped out of Uni and run away from Australia years earlier, and had had a mind-boggling succession of actually-I'm-not-going-to-share-them-on-a-professional website adventures. But I looked up one day and realised I really wasn't happy with my life. "So if you're going to change things," I asked myself, "what is the dearest dream you once had? What is it worth turning everything around for?"

    I had chronic pain from (unbeknownst to me) dislocated bones; both my lungs and my throat were compromised. I smoked a pack a day. I hadn't worn an evening gown since my Year 12 formal and couldn't really walk in heels. I didn't read music, and had never sung an aria, nor studied music at school. But I knew what I wanted: I wanted to serve the muse. Bit mad, really.

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